Not many movie genres are as spell-binding as vampire movies. By watching these viewers glimpse not only the darker and base natures of the on-screen characters, but also see reflected aspects of the viewer’s own struggles and personality. People see human life with its individual struggles dramatized and stylized in a fantastical and grotesque fashion on the cinema screen. It is probably one of the most spectacular and safe ways in which moviegoers can face humanity’s otherwise dangerous and destructive anti-social, predatory impulses.

The archetypal motifs and characters portrayed in these movies are among the genre’s appealing features. The on-screen portrayal of the good against evil theme around and within people has always spoken to the essence of the human condition. Back then folk could identify and sympathize with the vampire’s vain yet understandable struggle for not just immortality, but also to remain forever youthful, strong, and beautiful.

Although these questions and struggles are buried in the subliminal mind, vampire cinema lovers experience its manifestation on screen in extreme, base and often grotesque form. This is riveting stuff. Fantastically conceptualized and portrayed, but riveting nonetheless.

The blood-sucking hero can only exist in darkness. This is of symbolic significance in that the sharp-toothed one’s dark desires exemplify people’s dark side. Like the despicable bat-lover, cinema fans do have self-centered dark fantasies of power, omnipotence and excessive predatory sexual indulgence.

The theme and pervasive presence of darkness and dark deeds are peculiar to the genre. This is highly symbolic as well, since the individual’s dark fantasies of revenge, supernatural strength and unlimited power cannot thrive in the daylight of rational thinking. The vampire’s unfettered and potent sexual prowess on-screen can be seen as a symbolic rehearsal of those same forces throbbing deep within the human psyche. Onlookers vicariously live these out in fantasy through the predatory acts of the prince of darkness.

Viewers of these flicks necessarily suspend all belief in the limitations of everyday human existence. People are invited to leave behind logical reasoning and safely entertain whatever murderous fantasies of revenge and supernatural deeds lurk in the psyche. That is why fans of these films gawk at the manner in which the most base anti-social deeds of violence and sex are expressed right in front of the viewer.

As cinematic spectacles, vampire films have undergone changes. Themes of romance and love have come to dominate the modern genre. The current fashionable breed of teenage vampire cinema does not seem interested in scaring moviegoers. Instead, modern day vampires resemble catwalk models oozing loads of sex appeal on the screen. And instead of chasing after buckets of fresh human blood, these end up in impossible romantic relationships.

Cinema lovers find vampire movies fascinating because these exemplify themes and issues peculiar to the viewer’s own life. Battles of good and evil, the powerful and often problematic intrusions of sexual impulses, and transformations in cultural mores all find reflection in the genre. Thus, these flicks are appealing as it allows people to look at the darker side of human existence as entertainment spectacle at a safe distance in the darkness of the cinema theater.

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